A couple years ago we did a comparison of all the postures in significant publications from the Ghosh yoga lineage. There were a couple of surprises in that search. One of the most significant was the complete absence of Standing Bow Pulling posture in any of the texts. Why was this posture missing? Where and when did it come from? And how did it become so central to Bikram Choudhury's system of 26 postures that he developed in the 1970s?
Upon further research, it seems that Standing Bow Pulling posture is a descendant of a more difficult position, Lord of the Dance. But even Lord of the Dance is a recent addition to the yoga canon, appearing only in the 1950s or '60s. It seems that Lord of the Dance popped up in south India, perhaps coming from Indian dance, contortion and gymnastics, and quickly spread. Its transition toward Standing Bow Pulling didn't come until late in the 1960s.
Let's start at the beginning...
Obvious as it may be to state, Standing Bow Pulling and its predecessor Lord of the Dance posture (Natarajasana) are nowhere to be found in the pre-modern texts of yoga. As physical postures were becoming more prominent throughout the development of hathayoga, they were largely seated or lying positions. Almost no postures in hathayoga are done standing.
Even as we entered the 20th century and the fathers (sadly we don't know of many mothers) of modern yoga revolutionized the discipline, the acrobatics and deep stretching that we recognize today were still scarce. Early pioneers like Yogendra, Kuvalayananda, Krishnamacharya, Shivananda of Rishikesh, Bishnu Ghosh and Buddha Bose greatly expanded the number of positions in "yoga" through the 1920s, '30s and '40s, but still there was nothing resembling Standing Bow Pulling. At that point, yoga was largely adopting the practices of calisthenics and marrying the breath with relatively simple movements of the body.
This all makes Choudhury's Standing Bow Pulling posture fascinating and very new. It seems to be based on a modification or preparation for Lord of the Dance, which itself is a recent addition to the yoga asana canon. And further, this variation continues to be deepened and elaborated until it has become essentially a new posture in its own right.
1. Goldberg, Elliott. The Path of Modern Yoga. p395
2. Swami Satyananda Saraswati. Asana Pranayama Mudra Bandha. 2012 (1969).
Scott & Ida are Yoga Acharyas (Masters of Yoga). They are the head teachers of Ghosh Yoga. This blog is about their experience with yoga practice, study and teaching.
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